Grapefruit Lab is an experiment in multimedia collaboration — building on the work of Vicious Trap. We want to bring people together in art and conversation, without regard for classical medium and genre divisions. Because people are diverse, and because experimental does not have to be cold, or distant, or full of pretense.
Pity + Fear @ Feral Factory's Opening Party - May 27th around 8:00pm
At the Crash, 2557 Walnut St, Denver, CO 80205
FREE! - Party from 7pm-10pm - Performance around 8pm
Feral Factory's openings are part art exhibition, part performance, entertainment, and party—an evening of aesthetic inspiration and community.
Come see a short performance based on the art and theme "Theater of Memory, Theater of Prophecy." We will preview a selection from pity + fear, an original musing of words, movement, and soundplay on the three deaths of Aglauros, the serpent child, and the trustworthiness of oracles in our contemporary world. This piece explores dream and prophecy through metaphor, sound, word, and movement.
Pity + Fear (coming soon)
The three deaths of Aglauros, the serpent child, and the feuding gods. A clusterfuck opera based on mythology, tragedy, physics, sexuality, and the subtle difference between flying and falling. Coming soon...
A site-specific performance, down a long dirt road, through the remote desert, encountering the denizens of the place: Echo, Narcissus, the Grey Woman, Turkey, and the Warbler. Medusa invites each of them into her chamber. Influenced by the writings of Edward Abbey, and As Eve Said to the Serpent: On Landscape, Gender, and Art by Rebecca Solnit. Performed as Vicious Trap.
glASS (and other imponderables)
An in-the-moment performance meditation on Indra’s Net, the phenomenon that alchemies sand into glass, and what exactly constitutes polite behavior. Source material derived from such texts as Emily Post’s The Rules, Brian Greene’s Darkness on the Edge of the Universe, and Beverly Cleary’s Ramona Forever. Julie may or may not discover pomegranate seeds in her panties. Performed as Vicious Trap.
This ain’t grace - this all fucked - this old thing. Missa Populi is a reclaiming of the Catholic Mass—an exploration and undermining from within. All we have left is our broken and battered selves. Combining the sacrifice, transcendence, blood, and circumstance of the original with history, live music, science, dance, literature, and pop culture to find a wholly modern communion experience. Performed as Vicious Trap.
A Murder One Less
She is a plain and pensive woman. He is a rather ordinary man who lives in an extraordinary house. This house does algebraic equations and plots violence. According to Heisenberg’s Uncertainty Principle one can never be exactly sure of both the velocity and the position of a particle. People (and houses) cannot always find out what they want to know. Uncertainty prevails. One evening, woman, man, and house collide; not all of them survive. Performed as Vicious Trap.